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Galeria Fucares, Almagro,
Spain |
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RAFAEL LÓPEZ-BOSCH
"The good times are killing me" ("Los buenos
tiempos me matan")
12th of June until the 24th of September (August
closed)
The Fucarés art gallery Almagro presents
Rafael López-Bosch (Madrid, 1980) first one
man show tittled "Los buenos tiempos me matan" ("The good
times are killing me"). The artist invites us to reflect in a
transgressor manner on maters that are in some cases complex
"It is important to laugh at yourself, using humour allows the
realise of tension and we can see things in a different
perspective".
The artist's parting ground and indicate to
establish a common reference is that which could be understood
as sheared reality; the physical mater that surrounds us and
escapes any philosophical interpretation as it is sheared
physically by all. It would be complicated to establish
any interaction with anyone if within are own individual
reality we were unable to establish links that escape any
interpretation and were not physically sheared by all.
Gathering the uncommon, allowing everything
to fall in to place, mixes, breaks, bonds, transforms
up-to-the-minute, something unexpected, in this process the
work acquires its own language and the objects that form it
acquires a new life. We are not faced with a narrative that's
literal. The pieces enclose within a complex language that
parts with the ordinary throw the use of imagery and materials
that are accessible to any one, this creates a nexus throw
which the artist identifies with his time. The use of familiar
images and materials draws up lines of narrative that the
viewer can identifies with. The dialog is established and is
able to conclude the narrative by using the imagination as all
the components are found in front of him, similar to the game
"scrabble", we have all the letters and they have to be put in
place to create words.
Rafael López-Bosch started his artistic
career in England where he attended college at Central St.
Martins and Camberwell College Of Arts; This British
influences and it's perspicacious humour are evident in his
work. At an early stage in the artists carrier he was
introduced to Joseph Voice's work, in conceptual art Rafael
has found a way to express his political restlessness. Far
from taking political sides, the artist deals with the
problems arising from a society were it does not mater whoever
is in charge, the real interest is the essence of what it is
that leads us to try to control all that is around us.
The show is organised throw a number of
series that relate to each other. The first sequence, a number
of drawings under the name "Who killed Mickey Mouse" ("Quién
mató a Mickey Mouse"), were protagonists from the Disney
factory shear the limelight with world known personalities. In
this works a set of geometrical figures is emphasized in
relation of some kind to the process of learning, referencing
the replacement in traditional moral values.
"Gods Creatures" (Criaturas de Dios) Are
the names given by the artist to a set of sculptures were
animals are made from different parts of other animals. These
installations arise as results of the manipulation of are
surroundings and the fears of are actions as a society. Human
creations or natures heritage? The mad cow disease, the bird
flu, swine flu... are this founded preoccupations or simple
social hysteria? Huge illnesses that we supposed to change are
world.
Later we come a cross "Economist in
hardship" (Los economistas en apuros), Exquisite drawings that
in a humorous and simple way make parody of the present
economical situation, throw questions like, who took the
money? How to get to work? O who will keep the house?;
After reflecting on López-Bosch's work we
come to the conclusion that creating and art that includes
political themes does not mean you have to be claiming in
protest, repetitive messages are tiring, posters and slogans
are lost in time and were ingenuity comes, one has to be
up-to-date with the language with which we can identify throw
the years.
Placido Newark, Sevilla 2010.
Image: Rafael
López-Bosch "HAPPY SUCKER! SUCKER! ",
2010 Mixed Media
80 x 100 x 170 cm Courtesy of Galeria Fucares, Madrid
| Almagro
Galeria Fucares Almagro San
Francisco, 3 13270 Almagro Spain T +34 926 86 09
02
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Jerwood Space, London |
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Jerwood Contemporary Makers Exploring new
perspectives in making
17 June - 25 July, 2010
Morphing basket weave, a self-contained
laundry and an over-sized charm bracelet are just some of the
works that have been selected for the third and final Jerwood
Contemporary Makers.
This year's exhibition will explore the
notion of making from a variety of creative
perspectives. Selectors Hans Stofer,
Richard Slee and Freddie
Robins - three of the most inventive names in the
visual arts - have chosen 29 makers to take part, each of whom
will exhibit one work and receive an equal share of a £30,000
prize fund.
The 2010 Jerwood Contemporary Makers
are:
Laura Ellen Bacon, Chien-Wei Chang, David
Clarke, Carl Clerkin, Julie Cooke, Robert Dawson , Nora Fok,
David Gates, Joseph Harrington, Tony Hayward, David Rhys
Jones, Kirsty MacDougall, Nicola Malkin, Taslim Martin, Flora
McLean, Rowan Mersh, Gareth Neal, Karen Nicol, Heather Park,
Lina Peterson, Laura Potter, Tomoaki Suzuki, Ingrid Tait,
Marloes ten Bhomer, Maud Traon, Richard Wheater, Conor Wilson,
Emma Woffenden, and Dawn Youll.
The exhibition, designed by Michael
Marriot, will take visitors on a visual journey through the
different approaches to the art of making, highlighting its
importance as a visual arts discipline. Jerwood
Contemporary Makers is the UK's only award for the applied
arts and is a major strand of the Jerwood Visual Arts
programme.
Jerwood Contemporary Makers, was launched
by the Jerwood Charitable Foundation in 2008 as a three-year
exhibition series supporting and showcasing emerging creative
talent. Each year, a different panel of selectors has
curated the exhibition, inviting a group of makers to respond
to a different guiding concept.
Jerwood Contemporary Makers will be shown
at the Jerwood Space, London, from 17 June to 25 July before
touring to Dovecot Studios, Edinburgh, with IC: Innovative
Craft.
Jerwood Visual Arts is a contemporary
gallery programme of awards, exhibitions and events at Jerwood
Space, London, which then tours nationally. Jerwood Visual
Arts aims to promote and celebrate the work of talented
emerging artists across the disciplines of drawing, painting,
sculpture, applied arts, photography and moving image. It also
aims to make connections and provoke conversations within and
across the different disciplines.
Jerwood Visual Arts is a major initiative
of the Jerwood Charitable Foundation.
The Jerwood Charitable Foundation is
dedicated to imaginative and responsible revenue funding of
the arts, supporting emerging artists to develop and grow at
important stages in their careers. They work with artists
across art forms, from dance and theatre to literature, music
and the visual arts.
Image: Carl Clerkin Desperate
Measures © the artist
Jerwood Space 171 Union
Street London, SE1 0LN T + 44 (0) 20 7654 0171
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Galpão Fortes Vilaça, São
Paulo |
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Sara Ramo & Cinthia
Marcelle
3 July through 21 August, 2010
Galpão Fortes Vilaça is
pleased to present the third collaboration between the artists
Sara Ramo and Cinthia
Marcelle. A Grande Ilusão is an installation that
deals with the object and representation, and man's need to
create limits and borders with the aim of organizing and
protecting himself.
The installation is based on the comedy of
errors The Grand Illusion (1937) by French film
director Jean Renoir. This film, set in World War I, concerns
the relation between the individual who imprisons and the
person imprisoned. The plot takes place entirely within a
German prison in such a way that the war appears as an
external character and as a starting point for human
questionings.
The visitors enter a completely closed and
darkened room. Gradually, as they get used to the darkness,
they encounter a movie-screen frame from which the actual
screen itself has been removed. Through the screen they see a
cement wall with a gap, through which a path of earth runs.
The spectators then hear fragments of dialogs from the film,
while they read the following dialog in the subtitles at the
bottom of screen:
- Are you sure that's already Switzerland, right over
there? - No doubt about it. - It looks the same to
me. - What do you want? A boundary is something that cannot
be seen. It is a man´s creation, even though nature doesn't
care much about it.
Questions of representation and staging are constant
in the works by Sara Ramo and Cinthia Marcelle. This tiny
fragment of dialog, extracted from its original context,
refers not only to the great rupture created by World War I,
but to the idea of borders, physical or psychological
obstacles, and how they are overcome.
The two artists have previously
participated in important national and international
exhibitions, and will participate, separately, in the 29th
Bienal de São Paulo. Sara Ramo participated in the Venice
Biennale, 2009; the Panorama da Arte Brasileira, 2003; and the
6° Bienal do Mercosul, Porto Alegre, RS, 2007. Cinthia
Marcelle's solo shows have most notably included those at
Camberwell College of Arts, England (2009), Sprovieri
Projetti, England (2009), Box4, Brazil (2007); Fundação
Joaquim Nabuco, Brazil (2006); and Museu de Arte da Pampulha,
Brazil (2004).
Image: Sara Ramo & Cinthia
Marcelle Exhibition View, Grand Illusion,
Galpão Fortes Vilaça, 2010 Courtesy of Galeria Fortes
Vilaça, São Paulo
Photograph Edouard Fraipont
Galpão Fortes Vilaça Rua James
Holland 71 Barra Funda 01138-000 São
Paulo Brazil
T + 55 11 3392 3942
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Mark Moore Gallery, Los
Angeles |
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Chad Person Surviving the End of Your
World
The artist's inaugural LA exhibition featuring
installation, performance and sculpture.
July 10 - August 14, 2010
Mark Moore Gallery is
pleased to announce the first Los Angeles solo exhibition for
contemporary artist, Chad Person.
In his newest body of work, Person utilizes
his trademark fascination with the confluence of economy and
societal power structures through innovative installation,
sculpture and performance. Surviving the End of Your World
will feature several collages from the artist's "TaxCut"
series, and the debut of "Thirst" - a fifteen-foot inflatable
sculpture depicting the Mobil Oil Pegasus lying in a glossy
black acrylic pool of its own crude. Person's use of
iconographic signifiers related to American capitalism and
consumerism are juxtaposed with notions of sheer Darwinist
survival featured in his "RECESS" project, which will be
featured in the gallery's Project Room. In addition to a live
video feed of the artist's performance in his self-made
"apocalypse bunker" in Albuquerque, New Mexico, "RECESS"
includes functioning installation works to spotlight cultural
intervention, critique of corporate enterprise and the myth of
self-reliance in the face of essential conservation.
"New Mexico-based multimedia artist Chad
Person creates beautifully crafted, ironic indictments on
society's most dangerous flaws." - Shana Nys Dambrot,
Flavorpill (2010)
Chad Person (born 1978, Marinette, WI)
received his MFA in Photography from the University of New
Mexico. His work is included in the public collections of The
West Collection (PA), Frederick R. Weisman Foundation
Collection (CA) and The University of New Mexico Art Museum
(NM). He has had solo exhibitions in Albuquerque, Marfa and
River Falls, and been featured in PULSE Miami Contemporary Art
Fair.
Image: Chad Person
Two Arms, 2010 wood, steel pipe and fittings,
glue and twine 42 x 1 x 4 inches each
Courtesy of Mark Moore Gallery, Los Angeles
MARK MOORE GALLERY Bergamot Station
A1 2525 Michigan Avenue Santa Monica Los Angeles, CA
90404 T +1 310 453 3031
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