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  27 May 2010

Photography, Film & Video 

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Voges Gallery, Frankfurt
Dilston Grove, London
Kunst Halle Sankt Gallen, St. Gallen
i8 Gallery, Reykjavík, Iceland
 
 
Voges Gallery, Frankfurt
 
 
Johan Grimonprez, DOUBLE TAKE, 2008 
 
 
JOHAN GRIMONPREZ
DOUBLE TAKE.
A THEATRICAL SCREENING
 
June 1 - July 17, 2010
 
"Hundred of birds crashed into New York's tallest skyscraper, the Empire State Building, and plummeted to the street" - an event that took place in September 1948 as cited by The New York Times.
 
Truth is indeed often stranger than fiction and DOUBLE TAKE, a film essay by Belgian artist Johan Grimonprez and written by Tom McCarthy, starts off with this real-life incident that makes the plot of Alfred Hitchcock's "Birds" seem less fantastic. Grimonprez takes Hitchcock's classic film as his guiding theme and catastrophic metaphor with the aim of targeting the global rise of fear-as-commodity, in a tale of odd pairings and hilarious double deals.
 
 It's a story about personal paranoia reflecting political intrigues. Paying tribute to the themes of double and mistaken identity, DOUBLE TAKE creates a unique interpretation of Hitchcock's illustrious television and film appearances. The film covers the post-World War II period, characterized by prosperity and consumerism, as well as the institutionalization of fear as a political tool.
 
DOUBLE TAKE is an ambiguous reflection on the relationship between Terrorism and Tourism, schizophrenic doublings and also questions how our view of reality is held hostage by mass media. With a good portion of humour, DOUBLE TAKE invites the viewer to question today's hegemony of the image, the truth and lies of reality and its influence on our society, politics and culture.
 
A selection of drawings and photographs by Grimonprez complete the exhibition. In addition, there will be the projection of a Ron Burrage video. Ron Burrage is a Hitchcock lookalike, who plays the leading role in Grimonprez's film essays.
 
Belgian-born artist Johan Grimonprez already achieved international acclaim with his film essay Dial H-I-S-T-O-R-Y (1997), shown at documenta X and Looking for Alfred (2005), which won the International Media Award (ZKM, Germany) besides others. Grimonprez's work is included in numerous collections such as the Centre Georges Pompidou, Paris, The Tate Modern London or the Neue Pinakothek, Munich.
 

Image:
Johan Grimonprez
DOUBLE TAKE, 2008
Installation View
Courtesy Sean Kelly Gallery

 
VOGES GALLERY
nationale suisse hochhaus
Neue Mainzer Strasse 1
60311 Frankfurt
Germany
T +49 69 557454
 
 
 
 
Dilston Grove, London
 
 
Sammy Baloji, Mémoire, 2006 
 
 
Sammy Baloji Mémoire
 
June 2nd  - July 4th 2010
 
CGP London in partnership with Autograph ABP, are pleased to announce the first solo exhibition in the UK of Congolese photographer and filmmaker Sammy Baloji  in the newly renovated Dilston Grove.
 
Mémoire is a beautifully crafted and abstracted artist's video, shot in collaboration with the performance artist Faustin Linyekula, exhibited alongside a newly commissioned large-scale photographic work.
 
Shining a powerful spotlight on contemporary Congolese reality, Mémoire investigates the body and documents urban architecture, despite restrictions on photographing public sites. Baloji's artwork calls for greater awareness of the local consequences of 'development' and reveals the impact of exploitative cultures on society and the environment.
The exhibition is accompanied by an artist's book available during the exhibition. The staging of Mémoire is supported by the Goethe-Institut Nairobi.

The preview of Mémoire on Thursday, 27 May from 6pm - 8pm features a viewing of Making Ships in Bottles, a group exhibition with Rebecca Lennon, Gail Pickering, Olivia Plender, Suzanne Treister and Bik Van der Pol at CGP London's other venue, Cafe Gallery - a purpose-built gallery located just a few minutes away in Southwark Park.

Image:
Sammy Baloji
Mémoire 2006 (film still)
Courtesy of the artist and CGP London
 
Dilston Grove
Southwark Park
London
SE16 2DD
T +44 (0)20 7237 1230
E cgp.mail @ virgin.net
 
 
 
 
 
Kunst Halle Sankt Gallen, St. Gallen
 
 
Hassan Khan, Videostill from GBRL, 2010 
 
 
HASSAN KHAN
EVIDENCE OF EVIDENCE
 
22 May - 8 August 2010

Hassan Khan is one of the most active and interesting artists in the Middle East. As the title of the exhibition suggests, Khan considers the role of art as a conceptual and linguistic activity. To this end he makes use of the widest range of media such as video, photography, performance and installation. With «Evidence of Evidence» Kunst Halle Sankt Gallen is pleased to present Khan's largest exhibition so far, which he developed during a stay of several months in St. Gallen.
 
With his interest in interdisciplinary formats and with the inclusion of various cultural and social locations in St. Gallen, in «Evidence of Evidence» Khan takes a profound and fascinating look at the process of artistic production. Prompted by conceptual, formal but also certainly personal motives, in an intensive examination of the city and the Kunst Halle as an institution he has created works concerned with language, gestures and the concepts of art jargon. These works radically diverge with regard to approach, medium and understanding of presence in space. The exhibition has been created and lives from this difference; it stimulates visitors to discover existing but unpronounced relationships. Ultimately «Evidence of Evidence» is intended to be a wave in which meaning continually changes while we move on within it.
 
With a minimalist sculpture made up of 44 solid concrete blocks as well as a video work in which Kunst Halle staff on a theatre stage act out a silent piece made up of gesture and glances Khan quietly plays the repertoire of institutional criticism. He thereby emphasises two important moments in the perception of art: its existence as a physical statement in space as well as its mediation and communication, which are not always possible to verbalise. In the process he also does not forget to see art as an emotional and very subjective activity and thereby take as a subject the role of the artist. Personal relationships and memories are thereby like a thread running through the exhibition. This is illustrated by photographic reproductions of statuettes which Khan has owned since childhood and which represent his first relationship to imagery, manufacture and exoticism as well as a video portrait of a former partner of the artist.
 
«Evidence of Evidence» is an exhibition which calls for attention and thinking on the part of visitors. Khan's artistic activity - which takes place far away from any kind of ethnographic parameters - can only be deciphered in this way. However, he does not forget to provide visitors with an opportunity to enter his world: thus a small retrospective in the form of 30 etchings will be on show, representing key works of his artistic production. «Evidence of Evidence» is thus not only an exhibition specifically developed for Kunst Halle Sankt Gallen but also provides a comprehensive view of Khan's project-oriented and conceptual working method.
 
Hassan Khan (*1975, lives and works in Cairo, Egypt) has had solo exhibitions at the following institutions and galleries (selection): Galerie Chantal Crousel, Paris (2004), A Space Gallery, Toronto (2005), Gasworks, London (2006), Le Plateau, Paris (2007) and Uqbar, Berlin (2008). He has participated at the Triennials in Turin (2005) and Yokohama (2008) as well as the Biennials in Istanbul (2003), Seville (2006), Sydney (2006), Thessaloniki (2007), Contour, Netherlands (2007), Gwangju, South Korea (2008) and various other international group exhibitions. Khan has also composed soundtracks for the theatre and given concerts at different venues around the world. His album «tabla dubb» was released by the «100copies label». In addition to the publication of two books - «17 and in AUC« (2003) and «Nine Lessons Learned from Sherif El Azma» (2009) - he has written for numerous newspapers and magazines worldwide.
 
 
Image:
Hassan Khan
Videostill from GBRL, 2010
Courtesy of the artist and Kunst Halle Sankt Gallen
 

Kunst Halle Sankt Gallen
Davidstrasse 40
CH-9000 St. Gallen
Switzerland
T +41 (0)71 222 10 14
E info @ k9000.ch
 
 
 
 
 
i8 Gallery, Reykjavík, Iceland
 
 
Sigurdur Gudmundsson, Study for Horizon, 1975 
 
 
SIGURDUR GUDMUNDSSON
Situations and Other Photo Works 1970 - 1982
 
14 May - 26 June 2010
 
We are very pleased to announce an exhibition of Sigurdur Gudmundsson's photo works from the Seventies. This exhibition of works by Gudmundsson (b. 1942), presents a period in the artist's career during which he focused solely on the medium of photography, yet conceived his work in terms of sculpture and poetry.

These photographs, influenced by Fluxus and conceptual art, and collectively titled Situations, construct a certain poetic and philosophical vision through a series of staged situations where the artist himself is a stand-in for a persona caught in different circumstances. Each mise-en-scčne frames human existence in a humorous and pointed way, confronting the balance between nature and culture. Gudmundsson juxtaposes his meditations on existential questions, such as D'oů venons-nous? Que sommes-nous? Oů allons-nous? (Where do we come from? Who are we? Where are we going?), with an imaginative interpretation of the environment and elements of fantasy. At the same time, he positions human beings as part of nature, and offers viewers a fresh angle on the interpretation and experience of culture. The artist's symbolism is drawn from subjects which range from science to fairytales, though his main source is daily life. Unlike some of the dry conceptual art of the seventies, Gudmundsson's work is a dynamic meeting of lyricism, humor, and melancholia.

Gudmundsson's photographic works are well-known internationally and can be found in the collections of museums throughout Europe, although some of the works shown here have not previously been exhibited. The exhibition also features sketches and studies from the same period.
 
 
Image:
Sigurdur Gudmundsson
Study for Horizon, 1975
Courtesy of i8 Gallery, Reykjavík

 
i8 Gallery
Tryggvagata 16
Reykjavík
Iceland
T +354 551 3666
E info @ i8.is
 
 
 
 
 
 
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Coming Next
 
June 2-3 Painting & Drawing
June 9-10 Mixed / Multi Media
June 16-17 Photography, Film & Video
June 23-24 Sculpture / Installation
 
 
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