| 12 September 2006
No. 42
COMPETITION
SHARE PRIZE FESTIVAL, Turin,
Italy
EXHIBITIONS
UICA, Urban Institute for
Contemporary Art, Grand Rapids Michigan
ArtCenter/South Florida,
Miami Beach FL
Bluetenweiss, Raum fuer Kunst, Berlin
Mail Art
Project, Miami, FL
EVENTS
La Superette @
Eyebeam
FELLOWSHIP
A.I.R. Gallery NYC Women Artists
Fellowship Program
FESTIVALS
Victoria Independent Film
& Video Festival
Digital Fringe : 2006 Melbourne Fringe
Festival
Videoformes, Festival of Video Art and Media, Clermont
Ferrand, France
FILM, VIDEO & DIGITAL MEDIA
Studio
27, San Francisco, CA
Intermix06, Pavilion, Leeds, UK
LiveBox,
Crystal lake, IL, Mod 70s show
GRANTS
The Aftermath
Project, Portland OR
POSITIONS
CURATOR : City Without
Walls (cWOW), New Jersey, NJ
Artist Assistant,
London
PROPOSALS
The Beall Center for Art and
Technology, Irvine, CA
COMPETITION
SHARE PRIZE FESTIVAL, Turin, Italy
DIGITAL ARTS &
CULTURES
Deadline: September 30, 2006
This
competition enriches the already successful formula of the Share
Festival. In fact, without a contest, what festival would it be?
What would be celebrated if there were no winner?
And it’s
for this reason that the Share team announces an international
contest for existing works of digital art.
A Jury will award a
prize of Euro 2,500 to the work (published or not) that best
represents experimentation of arts and new technologies.
The
competition aims to discover, promote and sustain digital arts and
is open to all Italian and international artists.
More
Information
Application
procedure
EXHIBITIONS
UICA, Urban Institute for Contemporary Art, Grand Rapids
Michigan
Deadline : Nov 01, 2006
UICA presents work
that is innovative, challenging, and may not fall within the
conventional bounds of the visual arts. This includes
non-traditional approaches, use of materials, and display, as well
as work that is installation-based and/or non-commercial in nature.
The Visual Arts Committee curates specialized exhibitions,
theme-based exhibitions, and juries a national call for entries.
UICA presents work in five designated galleries: Monroe Ave.
Gallery, Race St. Gallery, Front St. Gallery (named after previous
locations/incarnations), the In Space and Portal Spaces (a new
program utilizing alternative and unusual areas in our facility).
Apply
for a Show
UICA,
Urban Institute for Contemporary Art
41 Sheldon Boulevard
SE
Grand Rapids Michigan 49503-4227
Phone: 616 454
7000
Fax: 616 459 9395
E-mail:
info@uica.org
ArtCenter/South Florida,
Miami Beach FL
RESIDENT JURIED ARTIST & EXHIBITION
PROGRAMS
Deadline : Nov 01, 2006
Established in 1984,
ArtCenter/South Florida is a non- profit 501(C)(3) organization that
provides subsidized studio and exhibition space as well as teaching
opportunities for emerging and career artists in their facilities at
800, 810 and 924 Lincoln Road, Miami Beach.
The mission of the
ArtCenter is to advance the knowledge and practice of contemporary
visual arts and culture in South Florida while providing affordable
programming and work-space for professional artists.
Seeking
artists working in all media, except crafts, for program.
For
application, please send SASE to:
Carolina Salazar,
ArtCenter/South
Florida,
924 Lincoln Rd,
Miami Beach FL 33139
email@artcentersf.org
Bluetenweiss, Raum fuer Kunst,
Berlin
Anonymous Drawings – Call for Entries
Deadline :
September 30th, 2006
“Bluetenweiss, Raum fuer Kunst”
opens in October 2006 under the management of Anke Becker and Jens
Siekmann.
A gallery preview is scheduled for October 14th,
2006 in the “bluetenweiss” gallery, at 224 Prenzlauer Allee, 10405
Berlin: an exhibition titled “Anonymous Drawings” is slated for this
date.
Concept and Idea
Drawings (size max. DIN
A3) by anonymous artists will be shown in the gallery on the
scheduled evening; the exhibiting artists will remain anonymous
until their work(s) are sold. Works will sell for a uniform price of
Euro 100,00; buyers will be informed of the artist’s identity upon
purchase of his/her work.
Exhibited drawings will be the work
of both professional and non-professional artists. Because of this,
we ask that the viewer him/herself draw the line between Art and
Non-Art. A priori for the evaluation of the work on this evening is
not the name and the biography of the individual artist, but the
work actually shown.
Participation
- 1-5 drawings on paper, maximum size DIN A3
- Send separately the name, address and e mail address of the
artist (for our files), and
- SASE (if you wish your drawings returned).
Send to the
following address:
Bluetenweiss, Raum fuer Kunst
Prenzlauer
Allee 224
D-10405 Berlin
Deadline for submission of art
work and information is September 30th, 2006. Confirmation of
receipt will be sent out per e mail.
“bluetenweiss” reserves
the right to choose which works will be exhibited; our priorities,
however, are formal, content and qualitative variety. The artists
will receive 60% of the sales price.
It is planned to hold
“Anonymous Drawings” exhibits on a regular basis between
“bluetenweiss” exhibitions. Planned are monthly “Anonymous Drawings”
exhibits. Works which are not sold will be stored by “bluetenweiss”
for future exhibits. Such works which remain unsold will be returned
to the artist in October 2007.
“bluetenweiss” will publish a
catalog or brochure, showing a selection of works, for each
“Anonymous Drawings” exhibit.
We recommend: the more artists
participate in this venture, the more exciting will be future
exhibits! So, please, share this Call for Entries with other
artists, your friends, acquaintances and relatives!
Thank
you.
Anke Becker
Jens Siekmann
bluetenweiss,
Raum fuer Kunst
Prenzlauer Allee 224
D-10405
Berlin
info@bluetenweiss-berlin.de
More
information
Mail Art Project,
Miami, FL
Deadline 31 December, 2006
MAIL ART PROJECT
31.12.06/Immigration
Sophie Blachet, director of Art Vitam
and Valeria Pouza, independent curator, are seeking Mail Art works
for an ongoing Mail Art Project book on the theme of immigration.
The Mail Art Project will proceed in two
phases:
Phase One
The Mail Art Project will collect
over a period of six months beginning in June 2006, a range of mail
art works sent royalty free to be published in book form. Only 100
works will be chosen for inclusion in the book entitled “Mail Art
Project 31.12.06/Immigration". All works will be, however, exhibited
online at http://ganthine.blogspot.com
Phase Two
Beginning of January 2007, Blachet
and Pouza will choose 100 works received for publication in the
book. Selected artists will be contacted either by regular mail,
e-mail or phone by the end of January 2007.
The Details:
The Mail Art Project 31.12.2006/Immigration
Theme:
Immigration. Coming, going, staying, living, borders, boundaries,
legal, illegal, it’s your call.
Format: Anything goes,
from postcards, envelopes, to large format works on board and works
on paper.
No entry fee.
Works will be juried, and not
returned but exhibited and documented online.
The
Book
The book will include one full page reproduction of the
work with description of the work, name of artist and artist details
(in three languages). Each selected artists will receive a book.
Printer to be announced.
If you are interested in
participating, please send works to:
Mail Art Project
31.12.06/Immigration
P.O Box 975
Miami Beach, FL 33119
USA
For more information please contact
In
English/French: sophie (AT)artvitam.com
In Spanish/ Español:
mailart (AT) artvitam.com
EVENTS
La Superette @ Eyebeam, New York, NY
Deadline: October
30, 2006
La
Superette is an annual event, an art sale held usually
around the holiday season in December. We organize a temporary store
where artists sell FUNCTIONAL art in multiples at affordable prices.
In addition to the sale we usually schedule musical performances as
well as puppet shows, and video screenings to run throughout the
day. The project is conceived and organized as a place for artists
to meet and collaborate on a specific project. We publish a catalog
zine, which distributes contact information of all participating
artists, host a web catalog at www.lasuperette.org, and produce a
video catalog which is screened at the event. La Superette 2005
included more than 100 artists and attracted thousands of visitors
and shoppers.
WHEN + WHERE
The 9th Annual La
Superette will take place on Saturday December 9th at Eyebeam in
conjunction with their “Holiday Hackshop” 540 West 21st Street, New
York, NY 10011.
FAQ ANSWERED
- La Superette arranges the installation of the work and has one
cashier.
- You don’t have your own booth.
- You will receive payment when you pick up your work.
- More then one set of items are welcome.
- There will be music, food, and drinks as always.
ABOUT EYEBEAM
Eyebeam engages cultural dialogue
at the intersection of the arts and sciences. Its goal is to forge
an understanding of the relatedness of these practices, which are
becoming increasingly significant engines of cultural production.
Eyebeam amplifies the flux and hybridity of the art/science
intersection by openly fostering the parallel strands of education,
research, production, and exhibition with its public and peers. It
implements this mission by: providing educational programming and
access to cultural resources to the community, facilitating research
and development of innovation in cultural production and technology,
enabling artistic creation by providing access to technological and
cultural resources, and expanding and informing the critical
perception of art, culture and media through exhibitions and public
programs.
Submission Guidelines:
- Work MUST be functional, original and cheap.
- Preference is given to: hacks, idea based crafts, amateurs,
artists
- You get 80% of the price you mark your work at.
- La Superette is not responsible for damage or lose of your
work.
HOW TO SUBMIT
- The deadline for
ONLINE submission is OCTOBER 30, 2006.
- To submit your work
visit: www.lasuperette.org and follow the detailed guidelines which
include:
- Your name, contact info, and url. (your contact info will be
public unless
- Product/s SHORT description. (ONE line-ish)
- Price/s of work. Upload ONE image only please!! 500 x 500
pixels @ 72dpi (If more are needed
FELLOWSHIP
A.I.R. Gallery NYC Women Artists Fellowship
Program
Deadline November 15th, 2006
Seeking NYC-area
women artists for 18-month sponsorship and solo show.
Founded in 1972, A.I.R. is the first artist-run, not-for-
profit gallery for women artists in the country. The announcement
for the gallery’s first exhibition in September of 1972 elaborates
our founding precept: “A.I.R. does not sell art; it changes
attitudes about art by women. A.I.R. offers women artists a space to
show work as innovative, transitory or unsaleable as the artists’
conceptions demands.” Based on the feminist principles of economic
cooperation and decision by consensus, A.I.R. continues to offer an
alternative venue for women that protects the creative process and
the individual voice of the artist.
The Fellowship Program,
in place since 1993, provides under-represented and emerging artists
with the opportunity to develop their work in preparation for a solo
show, to build relationships with other artists and arts
professionals, and to learn about gallery operations. A panel of
outside curators, critics and established artists selects
participating artists annually. Panelists visit the individual
artists’ studios in preparation for their solo shows. Each
participating artist works directly with the gallery artists to
staff gallery programs and activities, as well as to plan and
implement a public program or special project for the gallery during
their tenure. The involved artists leave the program with a series
of naturally forged, significant relationships, experiences and
skill sets that benefit their careers as visual artists.
The 2006 Selection Panel: : Matthew Higgs, director
of White Columns; Shamim Momin, curator and Branch Director, Whitney
at Altria; and , Susana Torruella Level, Director Emirtus, El Museo
del Barrio and Council Member, NYSCA.
For prospectus, please
send SASE to: AIR
Gallery, 511 W 25th St #301, New York NY 10001 212-255-6651 )
info@airnyc.org
FESTIVAL
Victoria Independent Film & Video Festival,
Canada
Deadline : October 15, 2006
Looking for
narratives, documentaries, experimental works and animations of any
length including student works for festival, Feb 2-11,
2007.
The mission of the Victoria Independent Film &
Video Festival is to expose youth and adults to a broad range of
cultural, artistic and philosophical ideas and lifestyles through
the presentation of film, video, and new media in order to stimulate
critical analysis and inspire an interest in using the medium as a
creative tool.
Entry fees.
For more info, please
contact:
M Donovan Aikman,
The
Victoria Independent Film & Video Festival,
808 View St,
Victoria BC V8W
1K2,
Canada
festival@vifvf.com
Digital
Fringe : 2006 Melbourne Fringe Festival, Australia
Extended
Deadline : September 27th, 2006
Digital Fringe is a web
based digital arts festival that connects to Melbourne via numerous
screens throughout the city. Streaming live across the city of
Melbourne (Australia), from the monster screen at Federation Square
to a host of other screens around town, Digital Fringe will have you
thumbing art from your mobile phone and watching public projections
in the most unlikely places.
More
information
Digital Fringe is seeking submissions of
digital visual material to broadcast over the Internet as a part of
the The Age 2006 Melbourne Fringe Festival: September 27 to October
15. We are calling for Digital art works to display on all screens.
These can be stills, animations, video art, short film, abstract
pieces, whatever! They will be played without sound. This material
will make up part of the general stream which will play on all
screens throughout the festival and can be accessed online. Artists
will retain the copyright of all works.
Digital Fringe is
produced by Horse
Bazaar in association with Melbourne
Fringe
Videoformes 2007, Festival of
Video Art and Media, Clermont Ferrand, France.
Deadline: 6
October, 2006
The competition is open to all video and
media makers. Video works and media projects (CD-roms and web-art)
should be original or display a personal approach in which artistic
research overshadows the technicity.
PRE-SELECTION
- No entry fee will be charged. - Therefore, documents, preview
tapes, photos or any other material accompanying the submission,
will not be returned.
- Selection is open to 2 works maximum per artist.
- Video tapes must be submitted for selection on VHS TAPE or DVD
VIDEO ZONE 2, Quictime or AVI file, uncompressed and burnt on a
DVD Rom - before October 6th, 2006. Each tape must be labelled
with the following information (labels on the tape and the case) :
Title, director’s name and surname, duration, B&W or colour,
soundtrack, subtitles. Altered copies and other formats will not
be considered.
- Media projects will be on CD-Rom or DVD-Rom (Mac &
Windows), including web-art pieces if possible (all filles must be
sent, even plug-ins).
- Each entry should be sent with the following documents,
written in French and English when necessary :
- Each video in other language than French should be submitted
with French subtitles.Multimedia projects using foreign language
will have to be submitted with a notice in French
- entry form fully filled in capitals or typed, which should
bear the hand-written words “read and approved” above the
signature,
- a curriculum vitae (résumé) and a full list of works, awards
and exhibitions,
- one or two photos (Tiff or EPS, 300 dpi) of the work for
press, catalogue and any promotional media,
- Every uncompleted or not readable form will not be considered
MORE
INFORMATIOIN
FILM, VIDEO & DIGITAL MEDIA
Studio 27, San Francisco, CA
Call for Work: Abrasions:
Architecture and Accident
Submission Deadline : September 30,
2006
San Francisco's New Place to See Experimental
Media
Studio 27 is currently looking for short videos and
films for our next screening, scheduled for late October. This show
will focus on work dealing with the architectural landscape and
space as re- envisioned through time.
Possible themes might
include: topography and the cartography of desire, architecture and
the missing, fragments, disposession, and the architectural
disaster. We are also interested in work that questions the
relationship between buildings and their occupants, such as the role
individuals hold in transforming space.
We are requesting
work less than 30 minutes in length on playable DVDs (all region),
MiniDVs (NTSC), or data DVDs (as a Quicktime movie file, especially
for digital animations).
Include with your submission a brief
written description of the work, and a short filmmaker bio. Also
include a SASE if you would like your materials returned to you
(only U.S. mail will be returned).
Jessica Allee
Studio
27
588 Sutter Street, #11
San Francisco, CA
94102
U.S.A.
Please direct questions to:
jessicaallee@studio27.org
Intermix06, Pavilion, Leeds,
UK
Deadline : 29 September, 2006
Pavilion is a Leeds
based visual arts organisation with over twenty years experience in
engaging with photography and lens-based media. We celebrate,
develop and promote the practice of photography as a powerful tool
of creative expression and social empowerment.
We commission
new work, organise exhibitions, develop and deliver artist-led
education projects and promote and support regional practitioners.
Intermix is Pavilion’s annual programme of contemporary
artists’ film and video; a platform for which emerging and
established talent from across the UK and abroad is showcased side
by side.
In 2005, our programme featured: Pope and Guthrie,
Nathalie Latham, Maja Borg, A.A.S and Jose Pedro Cortes amongst
others.
Submission Guidelines
Intermix06
Pavilion is now seeking work for inclusion in
the Intermix06 programme. The selected work will be showcased in
conjunction with the Leeds International Film Festival in November
2006.
Pavilion is looking for work that addresses the concept
of ‘Moments’. Moments signify a passage of time. Moments can shape
and affect ones persona and identity, impacting upon the spaces
people occupy and the lives that others lead. Many people can
remember a particular moment in time that changed the direction of
their life significantly. Moments can be entirely personal or be
drawn from the world and experiences others share and communicate
that create a moment of significance of change.
Pavilion is
unfortunately unable to offer successful applicants a screening fee.
Selected work will be fully credited on all publicity material and
links from the Pavilion website to practitioners’ websites will be
created. Each screened practitioner will receive a copy of
marketing/pr material and any publicity generated.
The
Selection Panel will base its decision upon submitted material only
and will not enter into any further discussion. The decision made
will be final. The selection panel consists of Anna Reid (Director,
Pavilion), Ruth Haycock (Project Manager, Pavilion) and Jamie
Hutchison (Media Arts Facilitator, Pavilion).
You are
required to submit the following:
- Completed Artist Submission Form.
- Completed Cultural Diversity Form
- A full CV
- A Supporting Statement, clearly stating what your practice and
the work submitted is concerned with. The supporting statement
should not exceed 100 words and may be used for the purpose of the
website and any supporting printed material.
- One copy of your film or video for submission in DV AVI or DV
QuickTime format, supplied on a DV tape or CD ROM, the work should
not exceed 7 minutes in duration.
- One jpg 300 dpi of an image related to the submission.
- Submission fee of £3.50 in the form of a cheque made payable
to Pavilion Ltd.
- Stamped, self addressed envelope for return of your work.
(work will not be returned without this)
Intermix06
~ Call for Submissions
Submissions will only be accepted
by post at the following address:
Pavilion
Intermix06
Submissions
Host Media Centre
21 Savile Mount
Leeds
LS7
3HZ
T: +44 (0) 113 200 7061
F: +44 (0) 113 200
7062
LiveBox, Crystal lake,
IL
Mod 70s show
Deadline : October 01, 2006
VIDEO
& ANIMATION SHOW
Seeking single-channel video and animation
interpreting or inspired by the pop culture happening labeled "MOD
70s" for screening, Nov-Dec, 2006. All submissions must be suitable
for open public viewing. Open to both "silent" pieces to be screened
in a public window and video with audio for 1-2 other screens. No
limit on number of entries. Entry fee. Please send entries (NTSC
DVD; if PAL, please send mini-DV) with digital (CD) resume, bio,
artist statement and short synopsis of the project, and jpg images
to:
Catherine Forster,
LiveBox
Submissions,
1031 N Shore Dr,
Crystal Lake
IL 60014
815-236-5692
liveboxg@netscape.net
GRANTS
The Aftermath Project, Portland OR
INTERNATIONAL
PHOTOGRAPHIC PROJECT GRANTS
Deadline : Oct 31, 2006
The Aftermath Project's mission is to support
photographic projects that tell the other half of the story of
conflict-the story of what it takes for individuals to learn to live
again, to rebuild destroyed lives and homes, to restore civil
societies, to address the lingering wounds of war while struggling
to create new avenues for peace.
Grant proposals should
reflect an understanding of this mission. Proposals may relate to
the aftermath of any kind of conflict, not just armed. The conflict
can be at the community level‹for example, violence between rural
ethnic groups, or an urban riot in an industrialized country. The
conflict may have been a regional one, such as a rebel insurgency,
or it may have been a full-scale war. For the purposes of the grant
program, the current situation in Iraq would NOT be deemed an
aftermath situation, as the conflict and press coverage continue
daily.
Proposals should include an explanation of the
aftermath issues related to the specific story being proposed by a
grant applicant. They should also include a year-long overview of
the applicant's plans for covering the story. Because The Aftermath
Project recognizes the long-term effort required to recover in the
aftermath of conflict, grant applicants will be expected to pursue
their stories over the course of a year and must demonstrate a plan
for doing so. Two grants will be given in 2006, one for $15,000
and one for $20,000.
If you have any questions, please
contact Kirsten Rian, Executive Director,
Kirsten@theaftermathproject.org.
The
Aftermath Project,
2532 NE 27th
Portland OR 97212
More
information
POSITIONS
CURATOR : City Without Walls (cWOW), New Jersey,
NJ
CALL FOR CURATOR. City Without Walls (cWOW),
New Jersey's oldest alternative art space, is seeking a curator for
its third annual 1800Frames exhibit, which features recently
produced, independent, non- commercial one-minute
videos.
SCHEDULE. Show dates for 1800 Frames are
December 7, 2006 - January 11, 2007. Curator selection and a call
for work will be posted by mid-September. The curator's final
selection of approximately 40 works and completion of a brief
catalogue essay are due by late October.
CURATORIAL
PROCESS. The curator is free to select any artist of their
choosing. The curator is not required to select cWOW members, and
selected artists are not required to become members. However,
curators must review all member entries, and are encouraged to ask
artists to join. This process ensures high-quality, independent
selection, while also building our membership base, which provides
crucial support for programming such as the 1800Frames exhibition.
EXHIBITION DETAILS. cWOW's gallery in downtown Newark
is a state-of-the-art facility with over 1,600 square feet of
exhibition space, including a main gallery, a project room, 9-foot
screen, several flat- screen TVs, and other video projection
equipment. Videos may also be made accessible through our website
and will be available as a tax-deductible premium compilation
disc to support cWOW.
MISSION AND FUNDERSCity Without
Walls, in continuous operation since 1975, is a not-for-profit urban
gallery of emerging art that advances the careers of artists while
building the audience for contemporary art. cWOW is funded in part
by Prudential Foundation, Geraldine R. Dodge Foundation, NJ State
Council on the Arts/Department of State, JPMorganChase and the City
of Newark. cWOW is a three-time recipient of the prestigious NJSCA
"Citation of Excellence."
CONTACT. William Ortega,
Gallery Director, City Without Walls, 6 Crawford Street, Newark, NJ
07102-2412, tel 973.622.1188, fax 973.622.2941, William@cWOW.org,
Artist Assistant, London
I am looking for an artist assistant to help with the general
running of a studio. This would include helping with everything from
sourcing materials to working with me to make my work.
The
work currently involves finishing a large commission from Charles
Saatchi. My work then moves onto making two solo shows in London and
Tokyo in 2007. Please see my re-title.com artists page and also
one-in-the-other gallery's website for examples of my work. This
position would suit an artist/student whose is keen to understand a
little more how a studio is run. I'm looking for someone to do one
day a week or possibly two people doing two individual days a week.
This position could helpful for a student who is studying or could
be useful for an artist with a studio practise, who might want
something extra. I will pay full travel costs and also a paid lunch
for a days work. This will be for a short period to allow to see how
things work out. Then the position will become a paid position
without travel costs and lunch.
I would love to hear from
anyone who might be interested so please drop me an email
little_p1972@hotmail.com ( on my address there is an underscore
between the letters 'e' and 'p'). Can you also include a CV if
possible, or just a brief description of yourself would be really
helpful.
look forward to hearing from you!
Paul
Johnson
PROPOSALS
The Beall Center for Art and Technology, Irvine,
CA
Exhibition Grant Proposal
Deadline : October 20, 2006
The Beall Center for Art and Technology seeks projects
of high artistic merit that use technology in innovative ways. We
offer honorarium and project costs of up to $20,000, to realize the
project in our 2500 sqf space. We are also interested in
collaborating with other institutions to fund projects of larger
scale. We are currently soliciting proposals for exhibition years
2007 and 2008. The proposals will be reviewed in November of 2006 by
the Beall Center Curatorial Review Committee, and artists notified
in early Winter of 2007.
The Beall Center produces
exhibitions and performances in the visual arts, theater, dance, and
music, and particularly seeks works that successfully integrate new
forms or uses of technology with artistic production or performance.
In addition, as the Beall Center has an exceptionally well-
developed and flexible infrastructure, and knowledgeable staff that
is found in very few art and technology centers, preference will be
given to works that can not easily be displayed or performed
elsewhere.
Eligibility Artists, curators, or
institutions are eligible to submit proposals. Priority is given to
cross-disciplinary projects. Artists or organizations that have
previously received funding from the Beall Center must wait at least
two years before reapplying. Women and artists of color are
encouraged to apply.
Available Facilities
The
Beall Center is a 2500 square foot black box with a highly
configurable network grid, and connectivity to gigabit speed
Ethernet. See Facility
for additional information.
Deadline for Application:
October 20, 2006
Award Notification: Winter 2007
Proposals
Proposals should be submitted only in
electronic format (pdf) and should include :
- Contact Information (name of lead applicant, address, email,
phone)
- Project abstract: 100 words
- Project description (500 word max.)
- Resume or curriculum vitae for applicant and all participants.
- One page itemized budget.
- List of equipment and other resources required. If you will
require technical assistance, please outline the nature of that
support (hardware, software, expectations of personnel, and
programming skills that will be required).
- Copy of any matching awards or copy of funding request for
external and internal sources. Priority will be given to projects
with supplemental funding.
- Preliminary visual diagrams indicating installation concepts,
in electronic format (pdf).
- Samples of work: For ease of presentation it is best to submit
images within the PDF proposal document. Include detailed
explanations about the work samples. Time-base should be submitted
in QuickTime mov files on cd or dvd media only (NO DVDÕs); and for
sound works, submit audio files in mp3, refer to your video or
audio files in your proposal, with a description.
- Please be prepared to provide two references; you may be
contacted during the review process to provide these.
Award Criteria
Criteria used to select
proposals include the following:
- Intellectual and artistic merit in the proposed project
- Degree of technological innovation
- Feasibility of the project under sponsorship of the Beall
Center
- Extent of collaborative and interdisciplinary activity
- Possibility of subsequent installation or performances outside
UCI
- Presence of matching funds
Methods of Submission
The preferred submission method (but not required) is to
post your proposal and work samples on your website
Mail
proposal cd, or dvd media (not as dvds) only to:
Beall Center
for Art and Technology
Exhibition Grant Proposal
HTC 101,
University of California
Irvine, CA 92697-2775
Attn:
Eleanore Stewart
Email proposal to estewart@uci.edu or
dfamilia@uci.edu
Contact Information
Eleanore
Stewart, Director
(949) 824-8945
estewart@uci.edu
David
Familian, Associate Director
(949) 824-4543
dfamilia@uci.edu
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phone: +44 (0) 870 922 0438
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If you have an opportunity to post, please send it on to us
at info@re-title.com
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